Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as François Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma français in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.
语言,大众形而上学,无法表达人的极端感受,哲学,是用脑子去思考,从来不是去争辩的,比如,如何看待理性主义的科学至上,两方各执一词,谁都无法说动谁,不如从内在的矛盾寻求统一性详情
2023-09-24因为他会找市场,他的微博就非常明显,多了非常多自嘲、搞笑的段子和搞怪的配图,后面就到了一个小爆发期。因为他是公共人物,粉丝也多,模仿的人也会多,所以他的人品不好就会导致一些青少年的不好行为。详情
2023-09-24焦虑情绪部分来源于个体对焦虑和症状本身的看法,部分来源于生活中的学习、工作和人际关系的压力。当现实生活中的一些压力事件长期得不到解决,个体总是处于一种焦虑情绪体验中,就会衍生出一些焦虑和强迫症状,比如坐立不安、头晕目眩、胸闷气短、疼痛、胡思乱想、易疲劳、失眠、辗转反侧、穷思竭虑、反复检查...详情
2023-09-24可能是对你老公有意思,可以看看你老公的意思,别被蒙在鼓里,同事天天在一起的,不排除挑拨离间的有心人还是要重视的,别等问题严重了才去解决详情
2023-09-24静香爸爸的设定。在漫长的哆啦A梦剧情当中,静香有过至少四个不同的父亲形象……这一点实在是有点过分了,难道他妈妈换过四个男人?不敢想象这么温柔文静的静香家庭情况如此混乱!详情
2023-09-24说一下余文乐周冬雨的,觉得余文乐在两人的互动中感觉可能更深一点,在此,我们要表扬下余文乐的高情商,数次暖场,温和体贴,他没有站在其他的立场上,而是单纯的从二人的年龄考虑,怕这个女孩因为自己年长而不自在,她不是余文乐的理想型,大家都看的出来。所以无感了基本。对这个节目。详情
2023-09-24